Marcos Micozzi is an Argentinian born Berlin based multidisciplinary artist with a background in architecture, data science, and sound engineering. His work explores the boundaries between sound, space, memory, and time, transforming the ephemeral into tangible and digital experiences.
As a spatial sound artist and multimedia performer, Marcos uses sound as a gateway to explore time, investigating how the digital and spatial traces of a performance can be reinterpreted to reconstruct moments and create new temporalities. His practice often involves collaboration with digital sculptor Hef Prentice and musicians such as Desmond Cheese, expanding these sonic and spatial microuniverses into sculptural installations and immersive environments.
Through immersive technologies such as virtual reality and 3D printing, his performances are translated into motion data and sculptural artifacts, offering a physical trace of sound in both space and time. This allows audiences to experience sound non-linearly and navigate its trajectory in three dimensions.
His work has been recognized internationally, including as a finalist at the Berlin Fashion Film Festival 2024 and the SAE International Awards 2022–2025 (winner of Best Audio Project 2022). His project XYZ Sound Sculptures has been exhibited at UAAD Technomirage (New York), the BAIFF Film Festival (Venice), MUTEK Argentina (Buenos Aires), and the Luminoir Exhibition (London), and was longlisted by Saatchi Gallery for the London Art Collective.
Marcos continues to develop an interdisciplinary language that merges architecture, sound, and technology, creating immersive experiences that question the limits of perception and invite audiences to explore new temporal and spatial realities.