Marcos Micozzi is a researcher, spatial sound artist, audio engineer, and multimedia performer. His practice explores the intersections of sound, space, memory, and time, translating ephemeral performances into material and digital experiences through immersive technologies.
He trained in Architecture at FADU–UBA and graduated from SAE University College Australia with a Bachelor’s degree in Audio Engineering in 2022, with High Distinction. He received awards including the Best Campus Major Project Award, Most Outstanding Student Award, and Dean’s Merit List, as well as the Destination Australia Scholarship valued at AUD 45,000. He expanded his technical profile with a diploma in Data Science & Machine Learning at Code Academy Berlin in 2025 and a specialization in LLMOps through Coursera and Duke University in 2025, integrating data and AI methodologies into creative and research processes.
His work combines spatial audio, virtual reality, real-time interaction, and 3D printing to shift listening from time to space, understanding sound as a field that can be explored and reconfigured non-linearly. More than documenting a performance, his practice proposes a language that transforms sound into form, opening new ways of perceiving memory, presence, and temporality. He collaborates with digital sculptor Hef Prentice and musicians Desmond Cheese, expanding sonic and visual micro-universes.
He has received international recognition, including being shortlisted at the Berlin Fashion Film Festival 2024. He won the SAE International Award for Best Audio Project in 2022. In 2025, he was selected for the ArtEvol 2025 longlist at Saatchi Gallery, London. In 2026, his work was selected for The Screen at OFFF Barcelona. His practice is supported by Dear Reality and sponsored by AIAIAI Audio. His work has been featured in print publications such as Spells: Process Volume 2 and Prompt Magazine Issue 16, and his projects have been exhibited in Buenos Aires, New York, Venice, London, Brisbane, Berlin, and Byron Bay.