ABOUT
I work at the edge where creative vision meets technical execution. My background spans architecture, audio engineering, data science, and AI.
I design and build systems that didn't exist before: immersive sound installations exhibited across four continents, a hardware-sampled VST instrument that recreates a legendary Neve console, AI-driven production pipelines for fashion e-commerce, and a motion studio (Fluxmoth) producing work for clients including Nike, Zalando, Ottolinger, and Kérastase.
My work has been nominated at the Berlin Fashion Film Festival, selected for the ArtEvol 2025 longlist at Saatchi Gallery London, and shown at OFFF Barcelona 2026.
Background
— Audio Engineering, SAE University College Australia, GPA 6.78/7 High Distinction, Best Campus Major Project, Most Outstanding Student Award
— Data Science & Machine Learning, Code Academy Berlin
— LLMOps Specialization, Coursera / Duke University
— Architecture, FADU-UBA Buenos Aires
↗ Email
↗ Instagram
↗ Linkedin
AI isn't a tool I use. It's a medium I work in.
AI Fashion Production Workflow
An end-to-end production pipeline for fashion e-commerce — automating asset generation, styling decisions, and post-production processes using large language models and image synthesis. Built for real commercial application, not as a proof of concept. The pipeline reduces production time and cost at scale while maintaining creative direction and brand consistency.
This is what happens when someone who understands both the creative process and the underlying technology builds the bridge between them.
What I can build for you
Custom AI workflows for creative and production teams. Prompt engineering and LLM integration. Rapid prototyping of AI-assisted tools. Training and implementation for non-technical creative teams.
If you're a studio, brand, or agency trying to figure out how AI fits into your process without losing what makes your work good — that's exactly the conversation I want to have.
micozzimarcos@gmail.com